Former Punk Rock firebrand turned turgid reactionary John Lydon throws his hat into the Eurovision fiasco, for some reason. He has stated himself, this week on RTE’s Radio 1, that he has never watched a single broadcast of the event, which has run since 1956, branding it as ‘awful’ and ‘disgusting’. Lydon hopes to represent Ireland in the heavily politicised song contest. Hawaii is just kind of fine. Nothing special, kind of average. Lydon’s vocals are blank and uninspired, lacking his former acerbic edge. The backing track sounds like the peak 80s power ballads that Phil Collins is probably still living off of to this day. This is a shame as it is reportedly inspired by his wife’s battles with Alzheimer’s and, according to Lydon, is “also a message of hope that ultimately love conquers all.” Not something that aligns particularly well with his more recent public outbursts. I really wanted to like this. Oh how the mighty have fallen.
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Before hearing Jäh Division’s imaginative deconstructions of classic Joy Division songs, I suppose I was already primed to accept this kind of thing. Due to the success of artists like Easy Star All-Stars & their guest-heavy reinterpretations of classic albums like Pink Floyd’s Dark Side Of The Moon, Radiohead’s OK Computer & Beatles Sgt. Pepper’s Lonely Hearts Club Band, I was already quite receptive to the idea of hearing some of my life’s cultural touchstones rendered in Dub.
The idea of Joy Division’s music rendered as Dub calls to mind something that cultural theorist/political philosopher Mark Fisher wrote about Post-Punk bands like The Fall and Joy Division. He observed how their bass-led songwriting & production provided a white equivalent to Dub Reggae. The salient point here being that it is a white equivalent rather than a white version. Young working class white kids working out their marginalisation in bass-heavy soundscapes in much the same way as the working class black kids, but yielding completely different results.
So before I even listen to it, Jäh Division has pretty big shoes to fill. Does it succeed? Maybe. I don’t know. It’s quite enjoyable as a Dub album but it’s debatable how well the original songs hold up during the transformation. Opening track Transmission is barely recognisable with the tempo reduced to a languid crawl, only the bass line bears any resemblance to the original. It exemplifies how different an element from a song can sound if taken out of its original context. I have similar feelings about Heart And Soul Isolation too. Enjoyable enough Dub, sure, but almost unrecognisable as the Joy Division song.
Transmission, for my money, is a little more successful. The reduction in tempo & energy isn’t quite enough to ground the dizzy heights scaled by the songs gorgeous melody synth. The dubby delays even seem to add buoyancy to these heroically soaring melodies. Love Will Tear Us Apart also works quite well here. No accident that it is their most accessible and radio friendly song. It could fit into almost any genre without diminishing its appeal.
The 2019 rerelease also features four bonus tracks which are actually original compositions rather than Joy Division covers. These are all fine, decent Dub tracks. I have no complaints but they don’t really stand out & they feel a trifle unnecessary so I won’t really dwell on them too much.
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Day 30. I’ve become kind of caught up in the excitement & humour of the Twitter account-cum-Political Party, the Northern Independence Party (or NIP) & the prospect of it achieving a small amount of success in the form of some councillors & maybe an MP or two. They’re already standing former Labour MP Thelma Walker in the upcoming Hartlepool by election, a seat which Labour has held since 1945 & which Sir Keir “Keith” Starmer (aka – The Abstainer) is likely to lose to the most corrupt & murderous UK government in living memory. Sadly, the electoral commission is saying that NIP failed to register on time (as a legit political party, that is). They are however pressing on with their campaign, only standing their candidates as independents for the time being.
On another of the fledgling party’s social media posts, they asked their followers what song should become a free North’s anthem. I could think of no finer a song to fill this position than this rowdy & romantic New Wave classic by Mancunian Post Punk heroes, The Fall. I hope you’ll agree.
Hit the North Hit the North (Hit the North) my Cat says eeeee-ack Hit the North Hit the North Hit the North
Ninety-five percent of hayseeds (Hit the North) are corn-pones, guaranteed Hit the North Computers and fashion hotels Cops can’t catch criminals But what the heck, they’re not too bad, they talk to God Religious
Hit the North Hit the North Hit the North
Manacled to the city Manacled to the city (hit the North)
All estate, all es, all estate agents alive Yell down nights in hysterical breath Those Northern Lights, so pretty Those big big big wide streets Those useless MPs Savages
Hit the North Hit the North Hit the North (Manacled to the system) Hit the North
From the back third eye psyche The reflected mirror of delirium Eastender and Victoria’s lager The induced call, mysterious Comes forth
Hit the North Hit the North Hit the North Hit the North
Hit the North Hit the North Hit the North Hit the North
Hit the North Hit the North Hit the North Hit the North
Looking for some great music? Check the Song of the Day (Chaotic Neutral) Spotify playlist.
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What follows is a short spoken segment which Mark E Smith, reluctant Working Class Autodidact & erratic frontman of The Fall, recorded for Greenwich Sound Radio in 1983. Smith was already becoming respected for the poetic & eccentric content of his band’s lyrics (see The N.W.R.A below), which he whittled down from huge blocks of prose written with a similar methodology to Kerouac’s Spontaneous Prose technique.
Here we hear Smith not only giving an insight into his writing process (about 50/50 chance of being serious) but also some poetry. Please enjoy the audio & the transcript I have provided below. The section which describes the process was taken from here, while the poetry & prose which follows was transcribed by myself.
Hello I’m Mark E. Smith and this is The Mark E. Smith ‘Guide To Writing’ Guide.
Day-by-day breakdown
Day One: Hang around house all day writing bits of useless information on bits of paper.
Day Two: Decide lack of inspiration due to too much isolation and non-fraternisation. Go to pub. Have drinks.
Day Three: Get up and go to pub. Hold on in there a style is on its way. Through sheer boredom and drunkenness, talk to people in pub.
Day Four: By now, people in the pub should be continually getting on your nerves. Write things about them on backs of beer mats.
Day Five: Go to pub. This is where true penmanship stamina comes into its own as by now, guilt, drunkenness, the people in the pub and the fact you’re one of them should combine to enable you to write out of sheer vexation. To write out of sheer vexation.
Day Six: If possible stay home. And write. If not go to pub.
Using this method, this is a poem I wrote called London.
(Mock American Accent) I’d just got over to London, get me a pint of your fine old British ale.
London.
Decadent backbone of former empire.
Spittle chinned Southerner looking forward to next holiday.
Digitale Croydon, fourteen pound per hour.
An immigration backlash type situation here
And there’s an Indian clerk in the backroom with a literature degree,
His boss is a roofed architect over-bathed, intense.
Project Victoriana Punish,
His clothes are flapping United Nations:
Japanese pants, odd boots, Euro shirts.
Is no shirt, his mind is Parisian
Fifties situationist
and ‘neath his designs you have no choice,
Stay where you are.
He is looking down on you from his tech drawing board.
Take the chicken run, run to the bog
You can do it
Do not
Warning! rumours of grey cancer builders greatly exaggerated
Manchester.
Dear TV Times,
Your majesties, I have concocted, through the noble invention and the blarney craft of the humble Northener, a system where by constant annoyance by the telephone can be erased. This entails explosive charges, left to me by a dead sailor from Bury, being wired up under every windowsill, close proximity to my ears. When phones ring and are inconvenient to the ears I just press table lamp-like what next to my bed and they blow up. I got the idea from a book.
Yours sincerely,
Mr Reg Varney.
Please note: all herbs is available from P.O. Box 935 GTV Manchester. Once you get a bit of pain I was splitting myself, them hilly-billies.
When it happened we walked through all the estates, from Manchester right to, er, Newcastle. In Darlington, helped a large man on his own chase off some kids who were chucking bricks and stuff through his flat window. She had a way with people like that. Thanked us and we moved on.
‘Junior Choice’ played one morning. The song was ‘English Scheme.’ Mine. They’d changed it with a grand piano and turned it into a love song. How they did it I don’t know. DJs had worsened since the rising. Elaborating on nothing in praise of the track with words they could hardly pronounce, in telephone voices.
I was mad, and laughed at the same time. The West German government had brought over large yellow trains on Teeside docks. In Edinburgh. I stayed on my own for a few days, wandering about in the, er, pissing rain, before the Queen Mother hit town.
I’m Joe Totale The yet unborn son The North will rise again The North will rise again Not in 10, 000 years Too many people cower to criminals And government crap The estates stick up like stacks The North will rise again X4 Look where you are Look where you are The future death of my father
Shift! Tony was a business friend Of RT XVII And was an opportunist man Come, come hear my story How he set out to corrupt and destroy This future Rising
The business friend came round today With teeth clenched, he grabbed my neck I threw him to the ground His blue shirt stained red The north will rise again. He said you are mistaken, friend I kicked him out of the home
Too many people cower to criminals And that government pap When all it takes is hard slap
But out the window burned the roads There were men with bees on sticks The fall had made them sick A man with butterflies on his face His brother threw acid in his face His tatoos were screwed The streets of Soho did reverberate With drunken Highland men Revenge for Culloden dead The North had rose again But it would turn out wrong The North will rise again
So R. Totale dwells underground Away from sickly grind With ostrich head-dress Face a mess, covered in feathers Orange-red with blue-black lines That draped down to his chest Body are a tentacle mess And light blue plant-heads TV showed Sam Chippendale No conception of what he’d made The Arndale had been razed Shop staff knocked off their ladders Security guards hung from moving escalators
And now that is said Tony seized the control He built his base in Edinburgh Had on his hotel wall A hooded friar on a tractor He took a bluey and he called Totale Who said, “the North has rose again” But it will turn out wrong
When I was in cabaret I vowed to defend All of the English clergy Though they have done wrong And the fall has begun This has got out of hand I will go for foreign aid But he Tony, laughed down the phone Said “Totale go back to bed” The North has rose today And you can stuff your aid! And you can stuff your aid!
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Day 27. This is actually the second time this particular song has appeared during a Song of the Day series. The first time was during the Cover Versions series, in the form of the excellent cover by Pixies. This original version is a solid piece of dark Post Punk Pop, late ’80s style. The Reid brothers are on top form here. Stylish synthetic bass rhythms & stupendous rhythms are central to the composition, with the distorted swirls of electric guitar adding colour depth.
As soon as I get my head around you I come around catching sparks off you I get an electric shock from you This secondhand living just won’t do And the way I feel tonight I could die and I wouldn’t mind And there’s something going on inside Makes you want to feel Makes you want to try Makes you want to blow the stars from the sky And I can’t stand up I can’t cool down I can’t get my head off the ground As soon as I get my head around you I come around catching sparks off you And all I ever got from you Was all I ever took from you Yeah, the world could die in pain And I wouldn’t feel no shame And there’s nothing holding me to blame Makes you want to feel Makes you want to try Makes you want to blow the stars from the sky And I’m taking myself to a dirty part of town Where all my troubles can’t be found I said yeah yeah yeah yeah yeah And I’m taking myself to a dirty part of town Where all my troubles can’t be found Makes you want to feel Makes you want to try Makes you want to blow the stars from the sky
Looking for some great music? Why not check out the Song of the Day (Chaotic Neutral) Spotify playlist.
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A fellow member of a Facebook group, the best indie album ever, posted this video tonight, asking if anyone else was into mid ’80’s Wire. Oh yes, I certainly am. I love this period of Wire , this song is a personal favourite & I was surprised to see so little Wire in previous series of Song of the Day (except for Outdoor Miner way back in the A-Z series). As an added bonus, I have included a live version recorded for KEXP in 2011. Enjoy.
Natural splits sunburn jets pride marks smart bets Strikers luck pitch backs heap tips pit slacks Dressed pints demon shrinks bread drunk dead drinks Stretch clubs models box draw skin black shocks
Money spines paper lung kidney bingos organ fun
Flag stunt rock stone dole axe crash dive Breath thrift take speed double take weekends Skull row drugs hall colour bars sex calls Sparkle finds rented rings pretty things clipped wings
Gold street spy fleet scandal food poor treat Fire run club gun rule mob burn some Bomb time pop crime stock frame steady climb Fresh name donor game fair meat all the same
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Another one inspired by Mark Fisher’s writings today. Just read his post about The Cure’s seminal trilogy of albums (Seventeen Seconds, Faith & Pornography) & this song gets mentioned quite a bit. It’s a great song by a great band & is one of the songs which helped to shape & define the angular, jerky nature of Post Punk & the ghostly ephemerality of Goth. Fisher, in his piece, also speculates about whether Robert Smith spectral, effect-laden guitar sound was also a key influence in the formulation of My Bloody Valentine’s dreamlike Shoegaze sound.
Come closer and see See into the trees Find the girl If you can Come closer and see See into the dark Just follow your eyes Just follow your eyes
I hear her voice Calling my name The sound is deep In the dark I hear her voice And start to run Into the trees Into the trees
Into the trees
Suddenly I stop But I know it’s too late I’m lost in a forest All alone The girl was never there It’s always the same I’m running towards nothing (Again and again and again and again)
And again
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Not really much to say about this one. I’ve been listening to New Order a lot recently & YouTube throws this one at me randomly quite a lot. It’s one of my favourite, if not my favourite, New Order songs. I recently shared this video on Facebook & posited the question, ‘does a more beautiful blending of melancholia and joy exist?’ If it does I’m yet to find it.
Heaven, a gateway, a hope Just like a feeling inside, it’s no joke And though it hurts me to see you this way Betrayed by words, I’d never heard, too hard to say Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home
Each way I turn, I know I’ll always try To break this circle that’s been placed around me From time to time, I find I’ve lost some need That was urgent to myself, I do believe Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home Up, down, turn around Please don’t let me hit the ground Tonight I think I’ll walk alone I’ll find my soul as I go home
Oh, you’ve got green eyes Oh, you’ve got blue eyes Oh, you’ve got grey eyes Oh, you’ve got green eyes Oh, you’ve got blue eyes You’ve got grey eyes
And I’ve never seen anyone quite like you before No, I’ve never met anyone quite like you before Bolts from above hurt the people down below People in this world, we have no place to go Bolts from above hurt the people down below People in this world, we have no place to go Bolts from above hurt the people down below People in this world, we have no place to go Bolts from above hurt the people down below People in this world, we have no place to go
Oh, it’s the last time Oh, it’s the last time Oh, it’s the last time Oh, it’s the last time Oh, it’s the last time Oh, I’ve never met anyone quite like you before Oh no, I’ve never met anyone quite like you before
Famously the song that “inspired” Kurt Cobain to write the riff for the Nirvana hit Come As You Are, Eighties is a fearsome slice of Post Punk savagery. With the famous pummelling riff, the angular rhythms & the soaring chorus, Eighties was one of the essential building blocks of Alternative Rock as we know it today. Like yesterdays song, this came on randomly while I watched music videos on YouTube this afternoon. I instantly decided to feature it as tomorrow’s Song of the Day.
Eighties, I’m living in the eighties Eighties, I have to push, I have to struggle Eighties, get out of my way, I’m not for sale no more Eighties, let’s kamikaze ’til we get there
And we sang You do it this way
Eighties, by day we run by night we dance, we do Eighties, I’m in love with the coming race Eighties, I’ve got the best, I’ll take all I can get Eighties, I’m living for the eighties
Eighties, I’m living in the eighties, I push Eighties, I’m living Eighties, I’m living in the eighties, I struggle Eighties, I’m living
Eighties, I’m living Eighties, I’m living in the eighties Eighties, I’m living in the eighties, I push Eighties, push, push, struggle
Eighties, I’m living Eighties, eighties, I’m living Eighties, I’m living in the eighties, I push
Check out some great music with the Song of the Day (Chaotic Neutral) Spotify playlist.
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Okay, okay. I missed a day (or 2) & I’m sorry. This song came on randomly after I was listening to New Order on YouTube the other day. It’s stunning, cinematic Synth Pop from the end of the ’80’s, with just enough Indie cool to keep it in the company of bands like Echo & The Bunnymen & the aforementioned New Order on many a mixtape. Also a great song for a movie soundtrack, as evidenced by its appearance in a pivotal scene of madcap time-travel yarn Donnie Darko.
Sometimes when this place gets kind of empty Sound of their breath fades with the light I think about the loveless fascination Under the Milky Way tonight
Lower the curtain down on Memphis Lower the curtain down all right I got no time for private consultation Under the Milky Way tonight
Wish I knew what you were looking for Might have known what you would find
And it’s something quite peculiar Something shimmering and white Leads you here despite your destination Under the Milky Way tonight
Wish I knew what you were looking for Might have known what you would find Wish I knew what you were looking for Might have known what you would find
And it’s something quite peculiar Something shimmering and white Leads you here despite your destination Under the Milky Way tonight
Wish I knew what you were looking for Might have known what you would find Wish I knew what you were looking for Might have known what you would find
Under the Milky Way tonight Under the Milky Way tonight Under the Milky Way tonight
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