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Indie Rock New Wave Pop Post Punk Song of the Day

Song of the Day (Chaotic Neutral): Wire – Kidney Bingos

Day 14.

A fellow member of a Facebook group, the best indie album ever, posted this video tonight, asking if anyone else was into mid ’80’s Wire. Oh yes, I certainly am. I love this period of Wire , this song is a personal favourite & I was surprised to see so little Wire in previous series of Song of the Day (except for Outdoor Miner way back in the A-Z series). As an added bonus, I have included a live version recorded for KEXP in 2011. Enjoy.

Natural splits sunburn jets pride marks smart bets
Strikers luck pitch backs heap tips pit slacks
Dressed pints demon shrinks bread drunk dead drinks
Stretch clubs models box draw skin black shocks

Money spines paper lung kidney bingos organ fun

Flag stunt rock stone dole axe crash dive
Breath thrift take speed double take weekends
Skull row drugs hall colour bars sex calls
Sparkle finds rented rings pretty things clipped wings

Gold street spy fleet scandal food poor treat
Fire run club gun rule mob burn some
Bomb time pop crime stock frame steady climb
Fresh name donor game fair meat all the same

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Indie Rock New Wave Post Punk Song of the Day

Song of the Day (Chaotic Neutral): The Cure – A Forest

Day 9.

Another one inspired by Mark Fisher’s writings today. Just read his post about The Cure’s seminal trilogy of albums (Seventeen Seconds, Faith & Pornography) & this song gets mentioned quite a bit. It’s a great song by a great band & is one of the songs which helped to shape & define the angular, jerky nature of Post Punk & the ghostly ephemerality of Goth. Fisher, in his piece, also speculates about whether Robert Smith spectral, effect-laden guitar sound was also a key influence in the formulation of My Bloody Valentine’s dreamlike Shoegaze sound.

Come closer and see
See into the trees
Find the girl
If you can
Come closer and see
See into the dark
Just follow your eyes
Just follow your eyes

I hear her voice
Calling my name
The sound is deep
In the dark
I hear her voice
And start to run
Into the trees
Into the trees

Into the trees

Suddenly I stop
But I know it’s too late
I’m lost in a forest
All alone
The girl was never there
It’s always the same
I’m running towards nothing
(Again and again and again and again)

And again

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Electronic Music New Wave Pop Post Punk Song of the Day

Song of the Day (Chaotic Neutral): New Order – Temptation

Day 6.

Not really much to say about this one. I’ve been listening to New Order a lot recently & YouTube throws this one at me randomly quite a lot. It’s one of my favourite, if not my favourite, New Order songs. I recently shared this video on Facebook & posited the question, ‘does a more beautiful blending of melancholia and joy exist?’ If it does I’m yet to find it.

Heaven, a gateway, a hope
Just like a feeling inside, it’s no joke
And though it hurts me to see you this way
Betrayed by words, I’d never heard, too hard to say
Up, down, turn around
Please don’t let me hit the ground
Tonight I think I’ll walk alone
I’ll find my soul as I go home
Up, down, turn around
Please don’t let me hit the ground
Tonight I think I’ll walk alone
I’ll find my soul as I go home

Each way I turn, I know I’ll always try
To break this circle that’s been placed around me
From time to time, I find I’ve lost some need
That was urgent to myself, I do believe
Up, down, turn around
Please don’t let me hit the ground
Tonight I think I’ll walk alone
I’ll find my soul as I go home
Up, down, turn around
Please don’t let me hit the ground
Tonight I think I’ll walk alone
I’ll find my soul as I go home

Oh, you’ve got green eyes
Oh, you’ve got blue eyes
Oh, you’ve got grey eyes
Oh, you’ve got green eyes
Oh, you’ve got blue eyes
You’ve got grey eyes

And I’ve never seen anyone quite like you before
No, I’ve never met anyone quite like you before
Bolts from above hurt the people down below
People in this world, we have no place to go
Bolts from above hurt the people down below
People in this world, we have no place to go
Bolts from above hurt the people down below
People in this world, we have no place to go
Bolts from above hurt the people down below
People in this world, we have no place to go

Oh, it’s the last time
Oh, it’s the last time
Oh, it’s the last time
Oh, it’s the last time
Oh, it’s the last time
Oh, I’ve never met anyone quite like you before
Oh no, I’ve never met anyone quite like you before

Categories
Indie Rock Post Punk Song of the Day

Song of the Day (Chaotic Neutral): Killing Joke – Eighties

Day 5.

Famously the song that “inspired” Kurt Cobain to write the riff for the Nirvana hit Come As You Are, Eighties is a fearsome slice of Post Punk savagery. With the famous pummelling riff, the angular rhythms & the soaring chorus, Eighties was one of the essential building blocks of Alternative Rock as we know it today. Like yesterdays song, this came on randomly while I watched music videos on YouTube this afternoon. I instantly decided to feature it as tomorrow’s Song of the Day.

Eighties, I’m living in the eighties
Eighties, I have to push, I have to struggle
Eighties, get out of my way, I’m not for sale no more
Eighties, let’s kamikaze ’til we get there

And we sang
You do it this way

Eighties, by day we run by night we dance, we do
Eighties, I’m in love with the coming race
Eighties, I’ve got the best, I’ll take all I can get
Eighties, I’m living for the eighties

Eighties, I’m living in the eighties, I push
Eighties, I’m living
Eighties, I’m living in the eighties, I struggle
Eighties, I’m living

Eighties, I’m living
Eighties, I’m living in the eighties
Eighties, I’m living in the eighties, I push
Eighties, push, push, struggle

Eighties, I’m living
Eighties, eighties, I’m living
Eighties, I’m living in the eighties, I push

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Electronic Music Indie Rock New Wave Pop Post Punk Song of the Day Synth Pop

Song of the Day (Chaotic Neutral): The Church – Under The Milky Way

Day 4.

Okay, okay. I missed a day (or 2) & I’m sorry. This song came on randomly after I was listening to New Order on YouTube the other day. It’s stunning, cinematic Synth Pop from the end of the ’80’s, with just enough Indie cool to keep it in the company of bands like Echo & The Bunnymen & the aforementioned New Order on many a mixtape. Also a great song for a movie soundtrack, as evidenced by its appearance in a pivotal scene of madcap time-travel yarn Donnie Darko.

Sometimes when this place gets kind of empty
Sound of their breath fades with the light
I think about the loveless fascination
Under the Milky Way tonight

Lower the curtain down on Memphis
Lower the curtain down all right
I got no time for private consultation
Under the Milky Way tonight

Wish I knew what you were looking for
Might have known what you would find

And it’s something quite peculiar
Something shimmering and white
Leads you here despite your destination
Under the Milky Way tonight

Wish I knew what you were looking for
Might have known what you would find
Wish I knew what you were looking for
Might have known what you would find

And it’s something quite peculiar
Something shimmering and white
Leads you here despite your destination
Under the Milky Way tonight

Wish I knew what you were looking for
Might have known what you would find
Wish I knew what you were looking for
Might have known what you would find

Under the Milky Way tonight
Under the Milky Way tonight
Under the Milky Way tonight

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Indie Rock Post Punk

Pool Sharks – Do You Wash Your Legs In The Shower? b/w Sexyman

“We don’t overtly reference politics in the songs, but the themes we
use are critical of religion, traditional hierarchies, the cynicism
of capitalism,” explains Pool Sharks frontman Joey Whitehead. I wonder, in this context, of the title for this song is in fact inspired by a fierce debate on Twitter earlier this year based on whether or not white people wash their legs. The debate spiralled out of control & became a frank, if heated, discussion, over whether or not you should wash your legs. This kind of absurdity is emblematic of the breakdown of society which the collapse of late capitalism brings with it. This conversation is a surreal microcosm of greater, further reaching questions around race, class, community & social mobility.

Do You Wash Your Legs In The Shower? is a mournful lament to the soul crushing daily grind of the dreaded 9-5 world & the feeling of being controlled or owned by your job. This is particularly timely in a UK at the end of decades of rolling back worker rights & protections while facing the greatest “bonfire of workers rights” we’ve ever faced as a society. It’s a song about what Karl Marx referred to as alienation. Pool Sharks explain in their press release how the central character in the song is being “disconnected from his own identity and the parts of his life that matter.” This parable of late capitalist existence is set to pounding, Post Punk rhythms with distorted guitars & vocals. The press release mentions bands like Parquet Courts, Gang Of Four & The Cribs &, while this is accurate, the biggest sonic similarity I feel for this song is early ’00’s Post Punk revivalists Bloc Party & their biggest influence, The Cure.

B-side Sexyman seems to compare more, sonically, to the bands own list of influences, particularly Gang Of Four. Angular stop-start rhythms, stabbing guitars & a spacious arrangement underpin this tale of Jesus Christ as “a salesman, selling the concept of a saviour to people’s chaotic and unhealthy lifestyles, which they willingly accept.” this is a fierce satirisation of the “predatory nature of organised religion.”

On the subject of the high concepts of the lyrics, Joe Whitehead chuckles, “People usually just end up liking the chord sequence.”

Do You Wash Your Legs In The Shower? is out on the 9th October as part of Safe Suburban Home’s current run of limited edition cassettes. You can preorder it here.

Pre-save to Spotify here

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New Wave Post Punk Rock Song of the Day

Song of the Day (Covers): Queens Of The Stone Age – Never Say Never

Day 24. It was a toss up between their version of The Kinks’ classic Everybody’s Gonna Be Happy & this, their cover of the ’80’s Post-Punk/New Wave classic Never Say Never by Romeo Void.

Queens Of The Stone Age imbue the Post-Punk rhythms with a hard Rock muscularity that a) makes the song rock harder than the original & b) adds a layer of sleaziness which the original doesn’t quite match. In fact I’d argue the original has a sense of wide-eyed innocence which Josh Homme’s fuzz-laden lead guitar steamrolls right over. A great cover of a great song.

If time itself was his demeanor
There’d be no sunlight or a glimmer
Of sunlight landin’ on the street
Some say girls must be discreet
Some say girls must be discreet
Nursing their fathers locked inside
They masqueraded as his bride

I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together
But there’s somethin’
In your eyes that says
Maybe that’s never
Never say never

They slump by the courthouse with windburn skin
That man could give a fuck
About the grin on your face
As you walk by, randy as a goat
He’s sleepin’ on papers
But he’d be warm in your coat

I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together
But there’s somethin’
In your eyes that says
Maybe that’s never
Never say never

There’s no easy way to lose your sight
On the street, on the stairs
Who’s on your flight
Old couple walks by, as ugly as sin
But he’s got her, she’s got him

I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together
But there’s somethin’
In your eyes that says
Maybe that’s never
Never say never

I might like you better
If we slept together
I might like you better
If we slept together
I might like you better
If we slept together

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Indie Rock New Wave Post Punk Song of the Day

Song of the Day (Covers): The Fall – Victoria

Day 18. The Fall’s cover of The Kinks Psychedelic Jangle Pop hit & tribute to Queen Victoria (& Victoriana generally) adds a sinister, menacing overtone to the tune, befitting such a bloodthirsty & imperialistic monarch.

It was bad, called obscene 
And the rich were so mean 
Stately homes for the Lords 
Golden lawns, village green
Victoria was my queen 

Victoria, Victoria, Victoria 


I was born, lucky me 
In the land that I love 
Though I’m poor, I am free 
When I go I shall fight 
For this land I will die 
Let her sun never set on 

Victoria, Victoria, Victoria 

Canada to India 
Australia to Cornwall 
Singapore to Hong Kong 
From the West to the East 
From the rich to the poor 
Victoria loved them all 

Victoria, Victoria, Victoria

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Indie Rock Post Punk Shoegaze Song of the Day

Song of the Day (Covers): Lush – Outdoor Miner

Day 15. Wire’s Colin Newman described the Lush version of their excellent Outdoor Miner as having “much confidence on show, plus they get the chorus right!” This is integral when you consider other covers of he same tune, like the one by Flying Saucer Attack. As much as I love it, the chorus sounds melodically miles away from this version or the original. He went on “It’s actually very satisfying to hear someone do a decent cover of a song you’ve written (and distressing to hear a bad one!).”

No blind spots in the leopard’s eyes
Can only help to jeopardize
The lives of lambs, the shepherd cries 

An outdoor life for a silverfish
Eternal dust less ticklish
Than the clean room, a houseguest’s wish

He lies on his side, is he trying to hide?
In fact it’s the earth, which he’s known since birth

He lies on his side, is he trying to hide?
In fact it’s the earth, which he’s known since birth

Face worker, a serpentine miner
A roof falls, an under-liner
Of leaf structure, the egg timer

He lies on his side, is he trying to hide?
In fact it’s the earth, which he’s known since birth

He lies on his side, is he trying to hide? 
In fact it’s the earth, which he’s known since birth

He lies on his side, is he trying to hide? (he lies on his side)
In fact it’s the earth, which he’s known since birth (is he trying to hide?)

He lies on his side, is he trying to hide? (he lies on his side)
In fact it’s the earth, which he’s known since birth (is he trying to hide?)

He lies on his side, is he trying to hide? (he lies on his side)
In fact it’s the earth, which he’s known since birth (is he trying to hide?)

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Post Punk Song of the Day

Song of the Day (Covers): The Futureheads – Hounds Of Love

Day 13. The Futureheads cover of Kate Bush’s hit Hounds of Love is, in my opinion, one of those rare covers which far surpasses the original version. I expect to receive some flack for saying this, and hell, maybe I even deserve it.

The Futureheads take Bush’s wilfully weird Baroque Pop & transform it into exciting, harmony-laden, angular Post-Punk energy. Those amazing vocal harmonies are the reason I prefer it over the original I think.

“It’s in the trees! 
It’s coming!” 

When I was a child: 
Running in the night, 
Afraid of what might be 

Hiding in the dark, 
Hiding in the street, 
And of what was following me… 

Now hounds of love are hunting. 
I’ve always been a coward, 
And I don’t know what’s good for me. 

Here I go! 
It’s coming for me through the trees. 
Help me, someone! 
Help me, please! 

Take my shoes off, 
And throw them in the lake, 
And I’ll be 
Two steps on the water. 

I found a fox 
Caught by dogs. 
He let me take him in my hands. 

His little heart, 
It beats so fast, 
And I’m ashamed of running away 

From nothing real– 
I just can’t deal with this, 
But I’m still afraid to be there, 

Among your hounds of love, 
And feel your arms surround me. 
I’ve always been a coward, 
And never know what’s good for me. 

Oh, here I go! 
Don’t let me go! 
Hold me down! 
It’s coming for me through the trees. 
Help me, darling, 
Help me, please! 

Take my shoes off 
And throw them in the lake, 
And I’ll be 
Two steps on the water. 

I don’t know what’s good for me. 
I don’t know what’s good for me. 
I need your love love love love love, yeah! 
Your love! 

Take your shoes off 
And throw them in the lake! 

Do you know what I really need? 
Do you know what I really need? 
I need love love love love love, yeah!

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